• Text size
  • A
  • A
  • A

OUR BID TO BECOME EUROPEAN CAPITAL OF CULTURE

29 Nov 2016

Collaborative Creative Team reveals new identity and typeface for Leeds 2023’s bid for European Capital of Culture

Peter Lowes

— Tags: , ,

Leeds City Council has revealed a new Leeds 2023 typeface and brand identity to support the city’s bid for the European Capital of Culture title in 2023.

The new Leeds 2023 typeface and identity were commissioned from independent brand specialist Lee Goater, known for his work across major cultural organisations including Northern School of Contemporary Dance, Leeds West Indian Carnival, Leeds International Film Festival, and his international exhibition Faces Lx which premiered in his home city of Leeds before touring to Barcelona’s Mitte Gallery in 2015.

Lee brought together a collaborative team of leading creative practitioners to create a visual identity that communicated Leeds 2023’s stated core values of ambitious, experimental, collaborative and open. His team included Leeds College of Art graduates and local rising stars Hungry Sandwich Club,  digital and content strategists Head Offfice™ spearheaded by Gaz Battersby, and Alex Finney, a recent graphic design graduate from Leeds College of Art.

Lee said: “When I read the brief it was all about creating an identity that belongs to everyone, and can work at a community and international scale. The values demanded something that made you look again at the city.

We wanted to create a solution that reflected how we felt about culture. It needed to be playful, intriguing and sometimes even challenging. We wanted to make something that makes you turn your head to figure it out and understand.”

Based around primary shapes and simple geometry, a bespoke logotype and typeface was initially developed to suggest connections between the diverse cultural organisations, communities and audiences. The solution set out to promote intrigue and curiosity leading to understanding and reward. Extensive testing with different accessibility groups helped to inform the design decisions to ensure that the experimental visual identity remained inclusive.

Lee also worked with London-based typography specialists Dalton Maag who created the typeface for the Rio 2016 Olympics.

Anita Morris, Chair of Leeds 2023 Marketing & Communications Advisory Group said: “It’s great to see culture taking centre stage in a city that’s famous for its retail and financial services offer. The new identity will really bring the bid to life with its quirky and intriguing animations and playful typeface. We have rigorously tested the Typeface with a wide range of audiences from culture and arts to businesses, residents and audiences with disabilities, to ensure that it remains accessible and inclusive for everyone. It’s a great vote of confidence in Lee’s work that more than 50 arts and cultural organisations have adopted the new Leeds 2023 Typeface in their own communications.”

Tom Foley, Creative Director at Dalton Maag said:  “The base of the identity is built around a new Typeface for the city and we needed to make sure that it was legible whilst retaining the playful nature of the characters. We were tasked with taking the conceptual letter forms created for the pitch and developing them into a European language typeface, including language variations and character sets. We’re really happy with the final Typeface which we’ve pushed to retain the intrigue and curiosity whilst making it legible for all groups.”

The Leeds 2023 Typeface will become an open source font, presenting new opportunities for the bid to connect with a range of different audiences and challenging the city’s design sector to create a new story for the city’s cultural offer.

The identity will be seen across marketing campaigns from January 2017, promoting the city’s exceptional and diverse cultural offer. 

Press Contact

Leanne Buchan

Leanne@leeds2023.co.uk
0113 378 7908